Artist : The Blues Brothers
song : Everybody Needs Somebody to Love
Album : The Blues Brothers Soundtrack – 1980
Style – Tempo – Signature – Length : Blues – 193 – 12/8 – 3:20
Musician : Steve Jordan
pages : 2
Version : Album
Level : Intermediate
“Everybody Needs Somebody to Love” by The Blues Brothers is a high-energy rhythm-and-blues anthem that’s as much about infectious groove as it is about joy and camaraderie. While the song was originally written and recorded in 1964 by Solomon Burke (with co-writing credits to Bert Berns and Jerry Wexler), The Blues Brothers made it famous for a new generation in 1980 with their own blistering, horn-driven version featured in The Blues Brothers movie and its soundtrack. For fans of the drums in this rendition, it’s a masterclass in tight, propulsive R\&B timekeeping.
When Dan Aykroyd and John Belushi created The Blues Brothers for Saturday Night Live, their goal was to revive classic soul and blues for mainstream audiences. By the time they recorded “Everybody Needs Somebody to Love” for the film, the band—featuring powerhouse drummer Steve Jordan—was a seasoned touring act. The drum part Jordan lays down is deceptively simple: a solid 4/4 beat on the hi-hat with snare backbeats that punch through the horn stabs. But what makes it magical is the energy—relentless forward motion that keeps the horns, vocals, and audience locked in the pocket.
The decision to include the song in the film was deliberate. Burke’s original was celebratory, and The Blues Brothers wanted that same “feel-good” vibe for a scene that lifted spirits. Their arrangement leaned into a faster tempo, layered horn arrangements, and gospel-style vocal call-and-response. The drums became the heartbeat—driving the song’s momentum while still leaving space for the big brass accents.
The most famous performance of the Blues Brothers’ version is in the movie itself: the legendary concert sequence at the Palace Hotel Ballroom. In the film, they burst into the song mid-show, with Belushi sprinting and dancing across the stage while the band fires on all cylinders. Steve Jordan’s drumming here is tight, punchy, and joyous—a perfect engine for the chaos onstage. Offscreen, the band also played it at numerous live shows, often using it as an opener or encore to get the crowd dancing.
For drum fans, the beauty lies in the way the beat never wavers, no matter how wild the stage antics get. It’s pure groove discipline—showing that sometimes the most powerful drumming isn’t about flashy fills, but about holding the band together while letting the joy shine through. In The Blues Brothers’ hands, “Everybody Needs Somebody to Love” became more than a cover—it became a full-blown celebration, powered by the drums.

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