Drum Sheet – Lenny Kravitz – It Ain’t Over ’til It’s Over

“It Ain’t Over ’til It’s Over” is one of Lenny Kravitz’s most iconic tracks—a smooth, soulful anthem that blends vintage grooves with modern production. Released in 1991 as the second single from his album Mama Said, the song marked a breakthrough for Kravitz, earning him major chart success and showcasing his deep love for 1970s soul and R\&B. For fans of drums, this track is a masterclass in restraint, feel, and pocket.

Kravitz wrote the song during a period of emotional turmoil—his marriage to Lisa Bonet was falling apart, and the lyrics reflect both longing and reluctant hope. Musically, he aimed to channel the warm, lush textures of Marvin Gaye and Earth, Wind & Fire. In fact, he originally considered giving the song to Smokey Robinson. But when he realized the power of the tune and how personal it had become, he decided to record it himself.

The recording took place in Kravitz’s own studio, where he famously played most of the instruments himself. However, for the horns, he enlisted Earth, Wind & Fire’s own horn section—adding authenticity and sparkle. But it’s the drums that provide the heartbeat of the song: a fat, laid-back groove that feels like it’s been lifted straight from a lost Al Green track. Every kick, snare, and hi-hat is deeply pocketed, with a soft touch and just enough swing to make it breathe.

Though Kravitz played drums on many of his songs, for “It Ain’t Over…”, he took inspiration from classic R\&B drummers like Al Jackson Jr. and James Gadson. The drum sound is dry, tight, and up-close, giving the groove a relaxed intimacy. There are no flashy fills—just ghost notes on the snare, buttery-smooth transitions, and a snare-backbeat that lands just behind the beat, giving the whole song its slinky, soulful pulse.

Live, the song became a favorite in Kravitz’s concerts, often stretched out with extended horn solos or breakdowns that put the groove front and center. Whether played in small clubs or massive festivals, the rhythm section always remained the song’s foundation, locking in with the bass and letting the rest of the band layer emotion on top.

For drummers, “It Ain’t Over ’til It’s Over” is a reminder of the power of subtlety: it’s not about speed or complexity, but about feel—about making the beat serve the song.