Drum Sheet – Lenny Kravitz – Come On Get It

“Come On Get It,” released in 2011 as part of Lenny Kravitz’s album Black and White America, is one of the most explosive, groove-driven tracks of his later discography. Built on raw energy and a fierce commitment to funk-rock tradition, the song stands out immediately for its huge drum sound—an element that is central not only to its identity but also to the way it was conceived in the studio.

Kravitz, well known for playing most of the instruments on his own albums, had a very specific vision for the rhythmic backbone of this track. During the composition process in his Bahamas studio, he wanted to reconnect with the visceral funk of Sly Stone, James Brown, and early Prince—genres where the drums are king. The riff came first: a sharp, punchy bass-and-guitar groove. But the song only truly came alive when Kravitz sat behind the kit and laid down that massive, stomping beat.

The drumming on “Come On Get It” is both muscular and infectious. It features a heavy kick pattern, cracking snare hits, and wide-open hi-hat accents that recall classic 1970s funk. Kravitz recorded the drums with minimal processing, using analog gear and roomy microphone placement to achieve the booming, live feel that defines the track. For drum fans, the song is a treat: each hit feels physical, warm, and deliberately rough around the edges. The fills—quick, sharp bursts on the toms—push the groove with attitude, while the driving sway of the main beat anchors the whole arrangement.

Once the song was completed, Kravitz immediately made it a centerpiece of his live performances. “Come On Get It” became a highlight during the Black and White America Tour (2011–2012), where it served as one of the show’s highest-energy moments. On stage, the drumming grew even bigger: Kravitz’s longtime drummer, the powerhouse Cindy Blackman Santana, brought her explosive precision to the song, adding flair, improvisation, and a harder edge. The track was performed at festivals, arenas, and TV appearances, often opening or igniting the middle of the set thanks to its irresistible rhythmic punch.

For a fan of the drums, “Come On Get It” is a perfect example of how rhythm can define a song’s entire personality. It is a celebration of groove, muscle, and attitude—proof that when the drums lead, everything else follows.