“Got to Be Real” by Cheryl Lynn is a timeless classic in the disco and funk genres, renowned for its infectious rhythm, powerful vocals, and standout drumming. Released in 1978, the song became an instant hit and remains a staple on dance floors worldwide.
The composition of “Got to Be Real” was a collaborative effort involving Cheryl Lynn, David Paich, and David Foster. Cheryl Lynn, who had already gained attention with her performance on the television show “The Gong Show,” brought her vibrant energy and vocal prowess to the table. David Paich, a member of the band Toto, and David Foster, a prolific producer and songwriter, were instrumental in crafting the song’s melody and arrangement.
The song was recorded at the famed Sunset Sound Recorders in Hollywood, California. The recording sessions were marked by a spirit of creativity and collaboration. Cheryl Lynn‘s powerful and soulful voice provided the foundation, while Paich and Foster worked on the arrangement, ensuring that the track had a strong and engaging structure.
The drumming on “Got to Be Real,” performed by James Gadson, is one of the song’s most distinctive features. Gadson, a highly respected session drummer known for his work with artists like Bill Withers and Marvin Gaye, brought his impeccable sense of rhythm and groove to the track. His drumming is characterized by tight, crisp beats and a driving energy that perfectly complements the song’s upbeat and danceable vibe.
James Gadson‘s drumming stands out for its precise timing and dynamic fills. His ability to blend funk and disco rhythms creates a solid foundation that supports Cheryl Lynn‘s powerful vocals and the song’s catchy melodies. The interplay between Gadson‘s drums, the bassline, and the vibrant horn section is a key element that makes “Got to Be Real” so compelling and memorable.
Upon its release, “Got to Be Real” quickly climbed the charts, reaching number 12 on the Billboard Hot 100 and becoming a defining track of the disco era. Cheryl Lynn performed the song on various television shows and at numerous live events, further cementing its popularity. One notable performance was on “Soul Train,” where Cheryl Lynn‘s dynamic stage presence and Gadson‘s infectious drumming captivated the audience and showcased the song’s irresistible energy.
“Got to Be Real” continues to be celebrated for its timeless appeal and infectious groove. The song’s enduring popularity is a testament to the talents of Cheryl Lynn, David Paich, David Foster, and James Gadson. For fans of the drums, Gadson‘s contribution to the track is particularly noteworthy, highlighting the importance of rhythm and groove in creating a dance classic that still resonates with audiences today.
The drumless version is an audio file of the song without the drum track, designed to let you play as if you were the drummer in the band.
It is an ideal tool for developing your sense of groove, consistency, rhythmic accuracy, and endurance. By playing along with real music, without the original drums already recorded, you learn to hold the song from start to finish, place your fills at the right moments, and follow the structure with greater independence.
When the drums start right at the beginning of the song, 2 bars of click are added before the track starts, allowing you to lock into the tempo and begin with precision.
This version is especially useful for practicing in conditions close to a real performance: you have to maintain the tempo, support the energy of the song, manage transitions, and blend naturally with the other instruments. It also helps you work on your listening, sound, dynamics, and ability to stay solid in the groove.
The drumless track is also an excellent tool for recording yourself, creating your own drum cover videos, preparing for a rehearsal, concert, audition, or exam. It helps you check your timing, musicality, and overall control of the song.
This file is created from the original track: the drum part is removed in order to provide a working version without drums. Depending on the original mix, the audio quality may therefore be slightly affected, and some drum elements may sometimes remain audible.
Ideal for: playing in real performance conditions, working on your groove, improving fill accuracy, building endurance, preparing for the stage, or creating your own drum recordings.
| Artist | Cheryl Lynn |
|---|---|
| Song | Got To Be Real |
| Album | Cheryl Lynn |
| Année | 1978 |
| Tempo | 115 |
| Signature Rythmique | 4/4 |
| Longueur | 05:10 |
| Video URL | |
| Musician | James Gadson |
| Page(s) | 2 |
| Version | Album |
| Transcription | Sebastien POITEVIN |
| Style | Funk |
| Niveau | Intermediate |
| Product format | Drumless music |
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