Drum Sheet – Procol Harum – A Whiter Shade of Pale

“A Whiter Shade of Pale” by Procol Harum is one of the most iconic songs of the 1960s, renowned for its haunting melody, evocative lyrics, and signature drum patterns that set the tone for its dreamy, almost otherworldly atmosphere.

The story of how the song came together is fascinating. It was composed in early 1967, primarily by keyboardist Matthew Fisher and lead vocalist Gary Brooker, with lyrics written by Keith Reid. Brooker wrote the music in collaboration with Fisher, who added the now-famous Hammond organ melody. The organ’s baroque-like sound was influenced by Johann Sebastian Bach, particularly his “Air on the G String” and “Sleepers Awake.” This classical touch combined with the contemporary rock structure gave the song its unique and timeless character.

The lyrics of “A Whiter Shade of Pale” are surreal and ambiguous, drawing inspiration from literature and poetry. Reid, who wrote them, said they were influenced by his love for Bob Dylan‘s cryptic lyricism and his desire to create something mysterious. Lines like “We skipped the light fandango” and “as the miller told his tale” were rich in imagery, leaving listeners to interpret their meaning in various ways, which only deepened the song’s allure.

As for the drums, they play a crucial role in creating the song’s steady, trance-like flow. Session drummer Bill Eyden, who played on the track, crafted a simple but highly effective rhythm that perfectly complemented the organ and vocals. His understated use of the snare and cymbals, along with subtle fills, provided a soft, almost hypnotic backdrop that allowed the more melodic elements to shine. It’s a masterclass in restraint, showing how drums can add texture without overpowering the music.

The band first performed “A Whiter Shade of Pale” at the Speakeasy Club in London, a venue known for hosting top musicians of the time. The song quickly gained attention and was released as a single in May 1967. It became a massive hit, reaching number one on the UK Singles Chart and selling over 10 million copies worldwide. Procol Harum performed it at major venues and festivals, including the 1967 Monterey Pop Festival, helping to cement its place in rock history.

The song remains a classic, and for a fan of drums, it showcases how even the most restrained patterns can have a profound impact on a track’s emotional depth.