Drum Sheet – Spin Doctors – Two Princes

“Two Princes,” released in 1991 on the Spin Doctors’ debut album Pocket Full of Kryptonite, is one of those rare songs that burst out of the New York club scene and unexpectedly became a global anthem. Beneath its catchy hooks and charismatic vocals lies one of the song’s most defining forces: the energetic, playful, and subtly intricate drumming of Aaron Comess, whose groove is the heartbeat of the entire track.

The story of “Two Princes” begins in the late ’80s, when the Spin Doctors were building their sound in the Lower Manhattan jam-band circuit. The band wrote many of their songs through long improvisational sessions at places like the Nightingale Bar and the Wetlands Preserve. “Two Princes” emerged during one of those rehearsals—born from a simple guitar riff by Eric Schenkman. As soon as Comess heard it, he locked into a bright, buoyant drum pattern that gave the riff life. His groove felt both tight and relaxed, a balance that would become the band’s trademark.

What makes Comess’ drumming stand out in “Two Princes” is its perfect blend of pop precision and jam-band looseness. He plays with an upbeat feel, letting the snare snap on the backbeat but never sounding rigid. The signature tom fills that roll into each chorus were improvised during early performances and polished later in the studio. The song’s contagious bounce exists because of the drums—the groove invites movement, making listeners feel lifted without being pushed.

When the band recorded Pocket Full of Kryptonite, they wanted to preserve the raw, live energy that defined them. Producer Peter Denenberg encouraged Comess to keep his parts spontaneous, focusing on feel rather than over-refinement. The drum sound they captured—earthy, lively, and forward in the mix—became essential to the track’s identity.

After its release, “Two Princes” exploded far beyond the band’s expectations. The Spin Doctors performed it everywhere: from small clubs to massive festival stages, and later on TV shows like Saturday Night Live and Letterman. Live, the song became a highlight of Comess’ playing. He often extended his fills, pushed the groove harder, and interacted with the crowd, turning the simple pop tune into a mini drum celebration.

Today, “Two Princes” remains a joyful reminder of early ’90s alternative rock’s playful side—and an enduring showcase of how a drummer’s feel can turn a catchy riff into an irresistible classic.