Bundle Drum Sheet & Video – Daft Punk – Get Lucky – Grammy Award

“Get Lucky” by Daft Punk is more than just a hit — it’s a celebration of groove, craftsmanship, and timeless musicality. Released in 2013 as the lead single from Random Access Memories, the song reintroduced the world to the soul of live instrumentation in an age dominated by digital sounds. At its core, it’s a modern-day disco classic — vibrant, sleek, and built to last.

The track was born out of Daft Punk’s desire to reconnect with the organic warmth of the late ’70s and early ’80s. Rather than lean into synthesizers and drum machines, the duo collaborated with some of the most iconic musicians in funk and pop history. The velvet vocals come courtesy of Pharrell Williams, while the legendary Nile Rodgers delivers those instantly recognizable, rhythmic guitar riffs that make the song shimmer with energy.

But what truly anchors Get Lucky — and gives it its irresistible momentum — is the drumming of Omar Hakim. A veteran session drummer whose credits span genres and decades, Hakim delivers a beat that is deceptively simple, yet surgically precise. His hi-hats are crisp, his snare relaxed but sharp, and his kick drum lands exactly where it needs to — never too much, never too little. It’s the kind of groove that feels effortless, yet it takes a master to execute.

The track was recorded in Los Angeles with analog gear and live takes — a bold, nostalgic choice that paid off big. Every sound you hear is warm, human, and intentional. There’s no programming, no samples — just real musicians locking into a pocket and riding it for over six minutes of pure vibe.

Get Lucky became a worldwide sensation, topping charts in over 30 countries and sweeping the 2014 Grammy Awards, including Record of the Year. More than a hit, it was a cultural reset — a reminder of how powerful a great groove can be.

For drummers, Get Lucky is a masterclass in subtlety and feel. It proves that the right beat doesn’t need to be flashy — it just needs to move the room. And this one? It still gets people dancing from the first note.