2 drum sheets: Normal version + easy version
Artist : Jimi Hendrix
song : Crosstown Traffic
Album : Electric Ladyland – 1968
Style – Tempo – Signature – Length : Rock – 115 – 4/4 – 2:26
Musician : Mitch Mitchell
pages : 2
Version : Album
Level : Intermediate
“Crosstown Traffic” is one of Jimi Hendrix‘s iconic tracks, renowned for its punchy energy and inventive rhythms, especially on the drums. Released in 1968 as part of Electric Ladyland, the song showcases Hendrix’s signature blend of rock, blues, and funk, while bringing a tighter, more concise feel compared to his sprawling jams. Its vibrant rhythm, led by drummer Mitch Mitchell, was essential to its infectious groove.
Mitch Mitchell‘s drumming in “Crosstown Traffic” is a masterclass in controlled chaos. Known for his jazz-influenced style, Mitchell was a drummer who thrived on combining fluidity with explosive fills. On this track, he delivers a brisk, syncopated rhythm that complements the song’s fast-paced nature. His tight snare and hi-hat work, combined with snappy fills, drive the song forward, giving it that “in a rush” feel that reflects the song’s lyrical theme of frustration with navigating obstacles.
The song itself was written by Hendrix, who envisioned a blend of rock and R&B with a more straightforward structure. Unlike some of his other tracks where experimentation was the focus, “Crosstown Traffic” is short and punchy, yet layered with intricate details. One of the most distinctive elements of the recording is Hendrix’s use of a comb wrapped in cellophane to create a kazoo-like sound during the verses, adding a quirky, percussive texture that plays off Mitchell’s drumming.
In terms of recording, “Crosstown Traffic” was laid down at Record Plant Studios in New York City, a favorite haunt of the band during the Electric Ladyland sessions. Hendrix was meticulous in the production process, layering vocals, guitars, and effects to craft the dynamic sound. Alongside Mitchell, bassist Noel Redding laid down a tight, driving rhythm that, along with the drums, gives the song its urgency.
Live, “Crosstown Traffic” was occasionally played during the latter days of Hendrix‘s career, though not as frequently as some of his longer tracks. However, its studio recording stands as a testament to the electric chemistry between Hendrix and Mitchell. For fans of drumming, the song is a perfect example of how rhythm can drive a track forward, and Mitch Mitchell’s contribution is integral to making “Crosstown Traffic” such a memorable piece.
2 drum sheets: Normal version + easy version
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Drum sheet / Drum cover
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